All performances are presented in our Coubertin Lecture Theatre
with The Edge Bar open throughout. The performance commences at 7.30 p.m. Tickets are now on sale via online booking at Ticketsource.co.uk/edgeartscentre or via our telephone box office number on 0844 8700 887 (a lo-call rate number, 5p per minute).
Customers are advised that a booking fee will be incurred when booking online and a further additional fee of £1.50 for using the telephone box office service.
Vanessa Kirby (The Crown, NT Live: A Streetcar Named Desire) and Eric Kofi Abrefa (The Amen Corner) feature in the cast of this brand new production, directed by Carrie Cracknell (NT Live: The Deep Blue Sea) and broadcast live from the National Theatre to cinemas.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
This new version of August Strinberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.
Steven Spielberg 116mins 2017
A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between the press and the government.
Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men.
Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.
For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor…
Paul McGuigan 125 mins 2017
15 | 1h 45min | Biography, Drama, Romance | 16 November 2017 (UK)
A romance sparks between a young actor and a Hollywood leading lady.
Irresistibly frothy and lavishly theatrical, The Merry Widow has enough tangled affairs, narrow misses and jealous lovers to fuel a French farce. Based on the beloved operetta, this lively tale is set in the ballrooms and salons of Belle Époque Paris and is dressed magnificently in velvets, silks, spangles and feathers. Created especially for The Australian Ballet, The Merry Widow is a laugh-along favourite with hum-along melodies and its heart on its sleeve.
Monday Night Cinema: All the Money in the World
Ridley Scott 132mins 2018
The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
Broadcast live from London’s West End, see Ian McKellen’s ‘extraordinarily moving portrayal’ (Independent) of King Lear in cinemas.
Chichester Festival Theatre’s production received five-star reviews for its sell-out run, and transfers to the West End for a limited season. Jonathan Munby directs this ‘nuanced and powerful’ (The Times) contemporary retelling of Shakespeare’s tender, violent, moving and shocking play.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
★★★★★ ‘Ian McKellen reigns supreme in this triumphant production.’ (Daily Telegraph)
Sarah Gavron 106mins 2015
The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.
The Winter’s Tale is Shakespeare’s great play of the irrational and inexplicable, illustrating how uncontrollable emotions can range across gender, country, class and age. Its universe is full of monsters, gods and natural disasters with a colossal sweep that takes audiences from the stifling atmosphere of the Sicilian court to the unbuttoned joy of a Bohemian festival. Staged at the beautiful and iconic Globe Theatre in London, this new production is directed by Blanche McIntyre and stars Will Keen (The Crown, Wolf Hall) as Leontes, Priyanga Burford (W1A, Marcella) as Hermione and
Annette Badland (EastEnders, Father Brown) as Old Shepherd. A reconstruction of an
open-air Elizabethan playhouse on the bank of the River Thames, the Globe Theatre has become a significant part of the national and international theatre landscape, celebrating Shakespeare’s transformative impact on the world. Continuing its popular Globe On Screen series, The Winter’s Tale will be broadcast live to cinemas on Thursday 4 October 2018.
Saul Dibb 107mins 2018
Set in a dugout in Aisne in 1918, it is the story of a group of British officers, led by the mentally disintegrating young officer Stanhope, as they await their fate.
A new production of one of the funniest plays in English, Oscar Wilde’s The Importance of Being Earnest, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. Wilde’s much-loved masterpiece throws love, logic and language into the air to make one of theatre’s most dazzling firework displays. Jack, Algy, Gwendolyn and Cecily discover how unsmooth runs the course of true love, while Lady Bracknell keeps a baleful eye on the mayhem of manners. This is the fourth and final play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.
Britain’s Ultimate Pop Star, Cliff Richard is celebrating 60 years in the music industry and he wants to invite you to the most fabulous big screen party of the year! His incredible energy and passion on stage will sweep you off your feet and be sure to have you swaying in the aisles.
Mayerling is a classic of the Royal Ballet repertory, with its emotional depth, haunting imagery, and one of the most demanding roles ever created for a male dancer. Kenneth MacMillan choreographed a complex work around the psychologically tormented heir to the Habsburg Empire, Crown Prince Rudolf. From the ballet’s start, the glamour of the Austro-Hungarian court is contrasted with undercurrents of sexual and political intrigue that drive the story to its violent climax in a double suicide. The large cast allows for impressive ensembles in addition to the ballet’s many solos of distinctive character and pas de deux of disturbing eroticism. This ballet, bursting with intensity, madness and passion, proves that sometimes the truth is more scandalous than fiction.
Michael Gracey 105 mins 2017
Celebrates the birth of show business, and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.
Richard Loncraine 111 mins 2018
On the eve of retirement a middle class, judgmental snob discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister who lives on an impoverished inner-city council estate.
‘Leaves you bobbing on a wave of happiness’ Independent
Alan Bennett’s sharp and hilarious new play is ‘just what the doctor ordered’ (Daily Telegraph). Filmed live at London’s Bridge Theatre during its limited run, don’t miss this ‘rousing chorus line for the NHS’ (Observer) in your local cinema.
The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an efficiency drive. A documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward, and the triumphs of the old people’s choir.
Alan Bennett’s celebrated plays include The History Boys, The Lady in the Van and The Madness of George III, all of which were also seen on film. Allelujah! is his tenth collaboration with award-winning director Nicholas Hytner.
Clio Barnard 90 mins 2018
Following the death of her father, Alice (Ruth Wilson) returns to her home village for the first time in 15 years, to claim the tenancy to the family farm she believes is rightfully hers.
Guillermo del Toro 123 mins 2018
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
“Lechery, lechery, still wars and lechery: nothing else holds fashion”
Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences.
Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle.
The Greek army is encamped under the walls of Troy and, at the point at which the play begins, the war has reached stalemate. The Greeks are quarrelling amongst themselves. Achilles, their greatest champion, refuses to fight and has withdrawn to his tent with his lover, Patroclus. Equally at odds with themselves, the Trojans are debating the value of continuing the war merely for the sake of keeping Helen.
Troilus is much distracted from these military concerns by his love for Cressida, the daughter of a Trojan who has defected to the Greek camp. The young lovers are eagerly assisted by Cressida’s uncle Pandarus, who acts as their go-between. However, after only one night together they are parted when Cressida is sent to join her father in the Greek camp. Almost immediately she betrays Troilus with the Greek Diomedes and, discovering this, Troilus is plunged into despair.
With the fall of Troy certain, Troilus vows revenge on Achilles.
Mike Newell 124 mins 2018
A writer forms an unexpected bond with the residents of Guernsey Island in the aftermath of World War II, when she decides to write a book about their experiences during the war.
Multi-award-winning drama The Madness of George III will be broadcast live to cinemas, in National Theatre Live’s first ever broadcast from Nottingham Playhouse.
Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady in the Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.
The cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock, Wolf Hall, NT Live Coriolanus) in the title role, and Adrian Scarborough (Gavin and Stacey, Upstairs Downstairs, After the Dance).
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
Michael Pearce 107 mins 2018
A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.
The Nutcracker has long been one of the most delightful ways to discover the enchantment of ballet – and makes for a delicious seasonal treat for all the family. Tchaikovsky’s much-loved music is matched to a magical adventure on Christmas Eve for Clara and her Nutcracker doll. Their journey to the Land of Sweets brings with it some of the most familiar of all ballet moments, such as the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Peter Wright’s production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, with period details and dancing snowflakes. The many solo roles and ensembles put the world-class skills of the Company to the fore in this Christmas classic.
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem
Simon Hunter 102 mins 2017
This is an inspiring tale of one woman’s indomitable spirit, when an eighty three year old lady sets off to rekindle fond memories of childhood by heading to Scotland to climb a mountain.
Dominic Cooke 210 mins 2018
Based on Ian McEwan’s novel. In 1962 England, a young couple find their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.