Vanessa Kirby (The Crown, NT Live: A Streetcar Named Desire) and Eric Kofi Abrefa (The Amen Corner) feature in the cast of this brand new production, directed by Carrie Cracknell (NT Live: The Deep Blue Sea) and broadcast live from the National Theatre to cinemas.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
This new version of August Strinberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.
Steven Spielberg 116mins 2017
A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between the press and the government.
Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men.
Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.
For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor…
7.30pm £10/£6 in advance or on the door
After snow postponed the original event, Simon Deeley’s ‘Blue Haze Quartet’ play music from their latest album ‘ From the Blue Hills’ at St Mary’s Church, Hay on Wye on Thursday 14th June at a rescheduled event.
Recently reviewed by the eminent ‘The Jazz Man’ he said…’Deeley’s love of Latin and Brazilian sounds is matched by his fondness for soul and funk, with both elements combining on the languid grooves of “Soul of the West” (from the second album) with Skilton on alto and Deeley at the piano featuring as soloists. Also from the new record “Indigo Tango” introduced a new musical style, an authentically seductive tango featuring Skilton’s sultry tenor sax, Deeley’s sparse piano and Russell’s subtle, mallet led drum accompaniment.’ Part of a review by ‘The Jazz Man’ at an event at The Muse, in Brecon recently.
The group’s latest album – From the Blue Hills – consists of eleven original compositions by pianist and leader Simon Deeley. All the compositions are written in Simon’s signature style being a mix of Latin-jazz and fusion-jazz. Infectious, colourful Samba’s and Bossa Nova’s sit alongside cool-grooving jazz-fusion numbers and gentle evocative ballads. And adding a further dimension to this mix are the touches of classical genre and film music elements.
The music is brought to life by the strong, incisive and harmonically vivid keyboard playing of Simon Deeley and by the driving, powerful and skilled inter-action of Charlie Russell on drums and Ian Cooper on bass, with, over-arching all, and of course putting her always clever and individual twist on the music, the virtuoso, powerhouse Martha Skilton on saxophone.
For tickets and more information you can visit their Facebook page ‘@BlueHazeQuartet’ or call Simon Deeley on 07789 470780.
Paul McGuigan 125 mins 2017
15 | 1h 45min | Biography, Drama, Romance | 16 November 2017 (UK)
A romance sparks between a young actor and a Hollywood leading lady.
Irresistibly frothy and lavishly theatrical, The Merry Widow has enough tangled affairs, narrow misses and jealous lovers to fuel a French farce. Based on the beloved operetta, this lively tale is set in the ballrooms and salons of Belle Époque Paris and is dressed magnificently in velvets, silks, spangles and feathers. Created especially for The Australian Ballet, The Merry Widow is a laugh-along favourite with hum-along melodies and its heart on its sleeve.
Monday Night Cinema: All the Money in the World
Ridley Scott 132mins 2018
The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
Broadcast live from London’s West End, see Ian McKellen’s ‘extraordinarily moving portrayal’ (Independent) of King Lear in cinemas.
Chichester Festival Theatre’s production received five-star reviews for its sell-out run, and transfers to the West End for a limited season. Jonathan Munby directs this ‘nuanced and powerful’ (The Times) contemporary retelling of Shakespeare’s tender, violent, moving and shocking play.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
★★★★★ ‘Ian McKellen reigns supreme in this triumphant production.’ (Daily Telegraph)